And if I die, because that part of me
Which part alone of me had chance to live,
Chose to be honours threshing-floor, a sieve
Where right through wrong might make its way, and be;
If from all taint of indignation, free
Must be my art, and thereby fugitive
From all that threatens it—why—let me give
To moles my dubious immortality.
For, should I cancel by one passionate screed
All that in chaste reflection I have writ,
So that again not ever in bright need
A man shall want my verse and reach for it,
I and my verses will be dead indeed,—
That which we died to champion, hurt no whit.
Edna St. Vincent Millay (1892–1950) was one of the most celebrated poets of the early 20th century, known for her lyrical precision, feminist voice, and engagement with themes of love, death, and social justice. Writing during a period of immense social upheaval—marked by World War I, the Great Depression, and the rise of modernism—Millay's work often reflects a tension between personal expression and public responsibility. "And if I die" exemplifies this tension, as it grapples with the ethical obligations of the artist and the potential futility of art in the face of moral compromise.
Millay was also a prominent figure in the bohemian literary circles of Greenwich Village, where she cultivated a reputation for both her poetic genius and her unconventional lifestyle. Her work frequently challenges traditional gender roles and societal expectations, and this poem can be read as a reflection of her commitment to artistic integrity over societal approval. The poem's introspective tone and philosophical depth align with the modernist preoccupation with individualism and the search for meaning in a fragmented world.
At its core, "And if I die" explores the tension between artistic purity and moral compromise. The speaker contemplates the possibility of sacrificing their art—and by extension, their legacy—for the sake of maintaining moral integrity. This theme is introduced in the opening lines, where the speaker considers the part of themselves "which part alone of me had chance to live" choosing to become "honours threshing-floor, a sieve / Where right through wrong might make its way, and be." Here, the metaphor of the sieve suggests a process of purification, where art serves as a medium for separating moral truth from corruption.
The poem also delves into the concept of immortality, both literal and metaphorical. The speaker acknowledges that their art might grant them a form of immortality, but questions whether this immortality is worth preserving if it comes at the cost of moral compromise. The line "To moles my dubious immortality" is particularly striking, as it juxtaposes the grandeur of eternal legacy with the mundane, earthy image of moles—creatures that live in darkness and obscurity. This contrast underscores the speaker's ambivalence about the value of artistic fame in the absence of ethical integrity.
Another key theme is the relationship between art and utility. The speaker wonders whether their verses, if tainted by indignation or moral compromise, would lose their ability to serve humanity. The phrase "A man shall want my verse and reach for it" suggests that art has a practical purpose: to provide solace, guidance, or inspiration to those in need. If the art fails to fulfill this purpose, the speaker suggests, it is as good as dead.
Millay's use of metaphor and imagery is central to the poem's impact. The "honours threshing-floor" and "sieve" evoke biblical and agricultural imagery, suggesting a process of judgment and purification. This aligns with the poem's exploration of moral and artistic integrity, as the speaker seeks to separate "right" from "wrong" in both their life and their work. The image of the moles, meanwhile, serves as a powerful symbol of obscurity and humility, contrasting with the grandiosity often associated with artistic legacy.
The poem's tone is contemplative and introspective, with a measured rhythm that reflects the speaker's careful deliberation. Millay's use of enjambment creates a sense of fluidity, as ideas flow seamlessly from one line to the next. This mirrors the poem's thematic focus on the interconnectedness of art, morality, and immortality. The syntax is complex yet precise, reflecting the intellectual rigor of the speaker's argument.
Millay also employs paradox to great effect. For example, the idea of "dubious immortality" encapsulates the central tension of the poem: the desire for lasting legacy versus the fear that such legacy might be hollow or morally compromised. Similarly, the phrase "chaste reflection" suggests both purity and restraint, highlighting the speaker's commitment to artistic integrity.
The emotional power of "And if I die" lies in its vulnerability and honesty. The speaker's willingness to confront their own mortality and the potential futility of their art is deeply moving. The poem resonates with anyone who has grappled with questions of purpose and legacy, whether in the context of art, work, or personal relationships.
The final lines—"I and my verses will be dead indeed, / That which we died to champion, hurt no whit"—are particularly poignant. Here, the speaker acknowledges that their death, both literal and artistic, would not diminish the causes they sought to champion. This bittersweet conclusion underscores the poem's central message: that true integrity lies in the willingness to sacrifice personal glory for the sake of higher principles.
Millay's "And if I die" can be read as a response to the ethical dilemmas faced by artists in the early 20th century. The poem reflects the modernist preoccupation with individualism and the search for meaning in a rapidly changing world. At the same time, it engages with timeless questions about the role of art in society and the responsibilities of the artist.
One of the most striking aspects of the poem is its rejection of conventional notions of immortality. While many poets have sought to achieve eternal fame through their work, Millay's speaker is willing to relinquish this fame if it means preserving their moral integrity. This stance can be seen as a critique of the commodification of art, as well as a reaffirmation of the artist's duty to serve as a moral guide.
The poem also invites reflection on the nature of artistic creation. By framing art as a "sieve" through which moral truth must pass, Millay suggests that the creative process is inherently tied to ethical considerations. This challenges the Romantic ideal of art as a purely aesthetic endeavor, emphasizing instead its potential to effect social change.
Finally, "And if I die" can be interpreted as a meditation on the limits of human agency. The speaker's acknowledgment that their death would not harm the causes they championed reflects a profound humility, as well as a recognition of the larger forces at work in the world. This perspective aligns with the modernist sense of disillusionment and existential uncertainty, while also offering a glimmer of hope: that even in the face of mortality, the pursuit of truth and justice remains meaningful.
Edna St. Vincent Millay's "And if I die" is a masterful exploration of the ethical and philosophical dimensions of art. Through its rich imagery, complex syntax, and introspective tone, the poem invites readers to consider the relationship between artistic integrity, moral responsibility, and the desire for immortality. Its emotional resonance lies in its honesty and vulnerability, as well as its willingness to confront difficult questions about the purpose and value of creative expression.
In the context of Millay's broader oeuvre, the poem stands as a testament to her commitment to both artistic excellence and social justice. It reflects the tensions and contradictions of the modernist era, while also speaking to timeless concerns about the human condition. Ultimately, "And if I die" is a powerful reminder of the enduring power of poetry to illuminate the complexities of life and inspire us to strive for a higher purpose.
Click the button below to print a cloze exercise of the poem critique. This exercise is designed for classroom use.