Exile or Caesar? Death hath solved thy doubt,
And made thee certain of thy changeless fate;
And thou no more hast wearily to wait,
Straining to catch the people's tarrying shout
That from unrestful rest would drag thee out,
And push thee to those pinnacles of State
Round which throng courtly loves, uncourted hate,
Servility's applause, and envy's flout.
Twice happy boy! though cut off in thy flower,
The timeliest doom of all thy race is thine:
Saved from the sad alternative, to pine
For heights unreached, or icily to tower,
Like Alpine crests that only specious shine,
And glitter on the lonely peak of Power.
June 1879
Alfred Austin’s Felix Opportunitate Mortis (translated as "Happy in the Opportunity of Death") is a profound meditation on the nature of power, mortality, and the human condition. Written in the late 19th century, the poem reflects the Victorian era’s preoccupation with themes of ambition, fate, and the transient nature of earthly glory. Austin, who served as Poet Laureate of the United Kingdom from 1896 to 1913, was often criticized for his conservative and traditional style, but this poem demonstrates a depth of thought and emotional resonance that transcends such critiques. Through its exploration of a young life cut short, the poem invites readers to consider the paradoxical relationship between ambition and contentment, power and isolation, and life and death.
To fully appreciate Felix Opportunitate Mortis, it is essential to situate it within its historical and cultural milieu. The Victorian era was a time of immense social, political, and technological change, marked by the expansion of the British Empire, the rise of industrial capitalism, and the growing influence of democratic ideals. Yet, it was also a period of profound existential questioning, as traditional religious beliefs were challenged by scientific advancements such as Darwin’s theory of evolution. This tension between progress and uncertainty is reflected in Austin’s poem, which grapples with the futility of human ambition in the face of inevitable mortality.
The poem’s title, Felix Opportunitate Mortis, suggests a Stoic acceptance of death as a release from the burdens of life. This sentiment echoes the classical Roman philosophy of Stoicism, which emphasized virtue, self-control, and detachment from worldly desires. The reference to "Caesar" in the opening line further situates the poem within a classical tradition, evoking the grandeur and tragedy of ancient Rome. By drawing on these historical and philosophical influences, Austin elevates the poem’s subject—a young life cut short—to a universal meditation on the human condition.
At its core, Felix Opportunitate Mortis explores the tension between ambition and contentment. The poem’s speaker addresses a young man whose life has been "cut off in thy flower," suggesting that his untimely death has spared him the burdens and disappointments of adulthood. The opening line, "Exile or Caesar? Death hath solved thy doubt," presents a stark dichotomy: the young man could have faced either the ignominy of exile or the glory of Caesar-like power. Death, however, has rendered this choice irrelevant, freeing him from the "wearily to wait" for the "people's tarrying shout" that would have propelled him into the public sphere.
The poem’s central theme is the futility of earthly ambition. Austin portrays the pursuit of power as a hollow endeavor, characterized by "courtly loves, uncourted hate, / Servility's applause, and envy's flout." These lines capture the superficiality and moral compromise inherent in political life, suggesting that the young man’s death has spared him from a life of hypocrisy and disillusionment. The imagery of "pinnacles of State" and "Alpine crests" reinforces this idea, depicting power as both alluring and isolating. Like the "specious shine" of mountain peaks, the trappings of power may appear glorious from a distance but are ultimately cold and unfulfilling.
Another key theme is the inevitability of fate. The poem suggests that the young man’s death was not a tragedy but a "timeliest doom," sparing him from the "sad alternative" of unfulfilled ambition or the loneliness of power. This fatalistic perspective reflects the Victorian era’s fascination with destiny and the limits of human agency. By framing death as a release rather than a loss, Austin challenges conventional notions of success and failure, inviting readers to reconsider what it means to live a meaningful life.
Austin’s use of literary devices enhances the poem’s emotional and thematic depth. The poem is written in a formal, elevated style, characteristic of Victorian poetry, with a regular meter and carefully crafted syntax. This stylistic choice reflects the poem’s classical influences and reinforces its meditative tone.
One of the most striking features of the poem is its use of paradox. The title itself, Felix Opportunitate Mortis, is paradoxical, suggesting that death can be a form of happiness. This paradox is echoed throughout the poem, as Austin contrasts the young man’s untimely death with the burdens he has escaped. For example, the phrase "Twice happy boy" seems incongruous when applied to someone who has died young, but it underscores the poem’s central argument that death can be a release from life’s struggles.
The poem also employs vivid imagery to convey its themes. The "pinnacles of State" and "Alpine crests" serve as metaphors for the allure and isolation of power, while the "people's tarrying shout" evokes the fickleness of public opinion. These images create a sense of contrast between the external trappings of success and the internal emptiness they often conceal.
Another notable device is the use of enjambment, which creates a flowing, contemplative rhythm. For example, the lines "And thou no more hast wearily to wait, / Straining to catch the people's tarrying shout" use enjambment to emphasize the young man’s release from the anxieties of ambition. This technique mirrors the poem’s thematic exploration of freedom and constraint, suggesting that death has liberated the young man from the pressures of life.
The emotional impact of Felix Opportunitate Mortis lies in its ability to evoke both sorrow and solace. On one level, the poem is a lament for a life cut short, capturing the tragedy of unfulfilled potential. The image of the young man as a "flower" suggests beauty and fragility, emphasizing the poignancy of his death. Yet, the poem also offers a sense of consolation, framing death as a release from the burdens of life. This duality reflects the Victorian era’s complex attitudes toward mortality, which often combined mourning with a sense of spiritual transcendence.
The poem’s emotional resonance is further enhanced by its universal themes. While the poem is ostensibly about a specific individual, its exploration of ambition, fate, and mortality speaks to broader human experiences. Readers are invited to reflect on their own aspirations and the ways in which they navigate the tension between ambition and contentment. In this sense, the poem transcends its historical context, offering timeless insights into the human condition.
Alfred Austin’s Felix Opportunitate Mortis is a richly layered poem that invites readers to contemplate the nature of power, ambition, and mortality. Through its classical allusions, vivid imagery, and paradoxical language, the poem challenges conventional notions of success and failure, suggesting that death can be a form of liberation. While rooted in the Victorian era’s cultural and philosophical concerns, the poem’s themes and emotional impact remain relevant today, offering a poignant reminder of the fleeting nature of earthly glory. In its exploration of the human condition, Felix Opportunitate Mortis exemplifies the enduring power of poetry to connect with readers on a deep and emotional level.
Click the button below to print a cloze exercise of the poem critique. This exercise is designed for classroom use.