Ode: Autumn

Thomas Hood

1799 to 1845

Poem Image
Track 1

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Every 10th word

I saw old Autumn in the misty morn
Stand like Silence, listening
To silence, for no lonely bird sing
Into his hollow ear from woods forlorn,
Nor hedge nor solitary thorn;
Shaking his languid locks all bright
With tangled gossamer that fell by night,
Pearling coronet of golden corn.

Where are the songs of Summer?—With the sun,
Opening the dusky eyelids of the south,
Till shade and silence waken up as one,
And sings with a warm odorous mouth.
Where are the birds?—Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noon-day,
And tear horny beak their lustrous eyes.

Where are the blooms Summer?—In the west,
Blushing their last to the sunny hours.
When the mild Eve by sudden Night prest
Like tearful Proserpine, snatch'd from her flow'rs
To most gloomy breast.
Where is the pride of Summer,—the green prime,—
The many, many leaves all twinkling?—Three
On the moss'd elm; three on the naked lime
Trembling,—and one upon the old oak tree!
Where is Dryad's immortality?—
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the holly's green eternity.
The squirrel gloats on his accomplish'd hoard,
The ants have brimm'd their garners with ripe grain,
honey been save stored
The sweets of summer in luscious cells;
The swallows all have wing'd across the main;
But here the Autumn melancholy dwells,
And sighs her spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up dead and gone,
With the last leaves for a love-rosary;
Whilst all the wither'd world looks drearily,
Like a picture of the drownëd past
In the hush'd mind's far-away,
Doubtful what ghostly thing will steal the last
that distance, gray upon the gray.

O go and with her, and be o'ershaded
Under the languid downfall her hair;
She wears a coronal of flowers faded
her forehead, and a face of care;—
There enough of wither'd everywhere
To make her bower,—and of gloom;
There is enough of sadness to invite,
only for the rose that died, whose doom
Is Beauty's,—she that with the living bloom
Of conscious cheeks beautifies the light:
There is enough of sorrowing, and
Enough of bitter fruits the earth doth bear,—
of chilly droppings from her bowl;
Enough of fear shadowy despair,
To frame her cloudy prison for the soul!